At Standing Rock, a Lakota matriarch, a non-binary Appalachian, and a Jicarilla Apache / Navajo youth leader join the resistance against the Dakota Access Pipeline. They each discover their power within a movement that echoes worldwide - but as each returns home determined to break the cycle of intergenerational trauma and abuse, they realize their battle has just begun.
The Sacred & The Snake focuses on how the experience of collective trauma, cultural self-discovery, and non-violent direct action catalyzed an array of other resistance movements across the country. While much of the public accepts the media narrative that Standing Rock was a failure, these protagonists defiantly show otherwise. The resistance camps lit a fire in each one of them and set them on a new path, while reawakening a global awareness of the environment and Indigenous sovereignty.
We are a collaborative filmmaking team - a group of non-Native filmmakers working alongside a prolific group of Indigenous producers and advisors that are holding us accountable as we embark on this process. We are committed to working within the #decolonizedocs movement and guidelines. Everyday we learn more about how we can humble ourselves in this process, amplify Indigenous voices to guide the project, and redistribute our privilege and power in a productive way.
Sara is a filmmaker and photojournalist with a passion for telling stories of the underdog and the underbelly of society. She is an alum of the Berkeley Graduate School of Journalism's documentary program. She’s worked with the Guardian, CIR, Fusion, and AJ+.
Jonathan is a filmmaker who believes the camera is a tool that can shake the foundations of power. He focuses the lens on people building a better world, and is inspired by the risk takers and the fight. He's an alum of UW-Madison and doc|UW-Milwaukee, and has been a Senior Producer of The Laura Flanders Show, the Production Coordinator and Archivist of the Kennedy Center Honors Films, has interned with Fault Lines, and freelanced as a DP and Producer with Fusion, AJ+, The Guardian, Voces de la Frontera, and CIR.
Romin Lee Johnson
Romin is a documentary photographer and filmmaker, and is an alum of the UC Berkeley Graduate School of Journalism. He was the school's inaugural recipient of the Marlon T. Riggs Fellowship in Documentary Filmmaking. He divides his time between the Bay Area and rural Minnesota with his wife and their three crazy boys.
When he isn't shooting documentary work, he shoots weddings and portraits on 35mm film.
Tracy Rector is a mixed race (Choctaw/Seminole) filmmaker, curator, community organizer, co-founder of Longhouse Media and a 2016 Stranger Genius. She has made over 400 short films, and is currently in production of her fifth feature documentary. As co-producer of the award-winning film Teachings of the Tree People, producer of March Point, co-director of Clearwater, and director of Ch'aak' S'aagi; Rector has developed an awareness and sensitivity to the power of media and film as a modern storytelling tool. Her work has been featured on Independent Lens, Cannes Film Festival, ImagineNative, National Geographic, Toronto International Film Festival, the Seattle Art Museum and in the Smithsonian’s Museum of the American Indian. Tracy is a Firelight Media Fellow, a WGBH Producer Fellow, Sundance Institute Lab Fellow, Tribeca All Access Grantee, and is the recipient of the Horace Mann Award for her work in utilizing media for social justice.
Leaf has a penchant for being in two places at once. He can be found with a camera around his neck, a drone close by, and constantly thinking about how his next video will seamlessly flow. He sees little stories everywhere and prides himself on capturing them and making them glow. Aside from filming and editing wedding videos, Leaf has worked on numerous commercial and documentary pieces, has a love for meeting new people, seeing new places, perfect waves, cats, magic tricks, and his friends and family.
Kawahara began her career as a writer/producer in San Francisco. Her film credits include T-Rex; City of Borders; Yank Tanks; and Of Civil Wrongs and Rights: The Fred Korematsu Story. T-Rex won the Audience Award at the San Francisco Film Festival and aired on PBS’ Independent Lens. City of Borders garnered the Teddy Audience Award at the Berlin Film Festival and aired on PBS. Yank Tanks was voted Best Documentary at the 2002 Los Angeles Latino International Film Festival. Of Civil Wrongs and Rights won an Emmy for Best Editing and Directing at the 2001 National Academy of Television Arts and Sciences News and Documentary Emmy Awards, was shortlisted for the 2001 Academy Awards, and aired nationwide on P.O.V. Kawahara was also consulting editor on Semper Fi: Always Faithful, which won the 2011 Tribeca Film Festival’s best editing award and was shortlisted for the 2012 Academy Awards.
Jordan Marie Brings Three White Horses Daniel
Jordan is a citizen of the Kul Wicasa Oyate (Lower Brule Sioux Tribe) as well as a passionate advocate for Indian Country and all people. She is nationally known for her advocacy and grassroots organization for anti-pipelines/climate justice efforts, change the name/not your mascot, the epidemic and crisis of missing and murdered Indigenous women (MMIW), and Native youth initiatives. Her experience in grants and project management, policy, blogging, and organizing has been leveraged by organizations working in environmental sustainability, access to quality healthcare, MMIW, the Violence Against Women Act, and a variety of other worthy causes. She is the founder of Rising Hearts, the cofounder of DC ReInvest Coalition, is on the Board of Directors with the PowerShift Network and Lab29, and is an Outreach and Project Manager with UCLA, in Los Angeles, homelands to the Tongva people. Jordan was awarded the NCAIED Native American 40 Under 40 in 2018. She’s using her running platform of 21 years to help raise awareness and bring justice to missing and murdered Indigenous relatives and their families. Jordan is consulting on documentaries as an Indigenous advocate and Impact Producer, and is consulting to develop social media to protect sacred lands and support Indigenous folx.
Thanks so much for considering a pledge to support this film. The funds raised will go directly towards:
Paying our Editor to get us to the crucial Assembly and Rough Cut stages
Paying our Indigenous Producer
Paying our core crew to keep working on the edit
By supporting this project you're part of a historic moment - an awakening of consciousness around Indigenous and environmental sovereignty. You are elevating the message that protecting Indigenous territories begins with protecting Indigenous womxn, two-spirit, and youth.
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